But recently, I commenced writing letters with a fellow-blogger, and I received the most amazing letter I had ever seen in my life, written on hand-laid paper of course. I did my very best to write a decent letter on my Rhodia pad, but no matter how hard I attempted, it didn’t even get close to looking as good as the one I received. It wasn’t difficult to figure out why a foolish lump of white ruled paper (no offence Rhodia. ) couldn’t match the luxurious look and feel of the handmade paper. So off I went to the stationery shop.
And there I found this, ‘Original Crown Mill’ laid paper and matching envelopes. I had heard of the brand before, but never reached out for it. Original Crown Mill is specialised in making high-quality paper, and the best thing about it: It’s made in Belgium! I honestly feel somewhat ashamed for not knowing a pen-related brand situated only 50 or 60 miles away from my house!
The paper comes packaged in plastic foil, and is protected by a hard cardboard backing to keep the sheets nice and plane. There’s 50 sheets per pack, and they aren’t tied together. It’s a bit tricky to stash a pile of paper that isn’t held together in any way, but at least you won’t risk hurting the paper while removing a sheet from the stack. I don’t think presentation on something else than a pen is truly significant or noteworthy, so I’ll leave it at that (not that there is any noteworthy presentation anyway indeed. ).
Very first thing I noticed: it’s earnestly strenuous paper! at 135 grams per square meter, it’s more than 60 percent stronger than most Rhodia paper. There’s also a 200 gram version, which is not indeed meant for correspondence. but rather for cards and artsy stuff.
Of course, the most interesting aspect of laid paper is the texture. The subtle horizontal lines give the paper it’s character, and make for an interesting practice when writing. I expected the texture to be fairly noticeable and annoying, but most pens work ideally fine, only my Lamy 1.Five stub had some issues to get a consistent flow going, but it also does that on other paper.
The strenuous, cream-colored paper treats pretty much every pen very well. It’s very feather and bleedthrough resistant, despite its rather fibrous appearance. In the end, a permanent marker was needed to get consistent showtrough and some bleedthrough. But as long as you only use one side of the paper, even permanent markers are still ideally usable, it didn’t even feather. Very astounding! The fibrous paper has fairly a bit of texture to it, which means it’s not as sleek as Rhodia paper, but it has endlessly more character and style to it! I also found out that it takes away some contrast and shading from your inks, but it gives solid, consistent spectacle in come back. Which sounds like a fair deal to me.
I’m downright smitten! This Original Crown Mill paper truly struck me on pretty much every aspect. I never thought I’d find anything better than Rhodia paper, which- don’t get me wrong- is still the smoothest of the bunch, but this is it! Writing on this kind of paper is an practice on its own, and the spectacle is excellent! I paid about 8 EUR/ 9 USD for the paper and another 6 or 7 EUR for the envelopes, which is a bit more than Rhodia paper, and it’s only fifty sheets instead of eighty, but I’d still consider it a pretty good deal.